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Daniel Wyss Dorfstrasse 39 3032 Hinterkappelen Tel. +41 (0)31 351 33 21 daniel.wyss@solnet.ch geboren am 1.09.1965 Ausbildung/ Tätigkeit
1985 - 1990 Beschäftigung mit und Kursleiter für Fotografie 1993 - 1995 Berufslehre Steinhauer, Schule für Gestaltung in Bern 1995 - 1998 Plastische Arbeiten im eigenen Atelier seit 1998 Foto- und Grafische Arbeiten 2001 - 2007 Betreiben der Galerie Wartsaal 3 am Helvetiaplatz in Bern Einzelausstellungen 1998 Skulpturen-Ausstellung in der Buchhandlung Stauffacher in Bern 2001 Ausstellung von Grafiken in der Galerie Wartsaal 3 in Bern / 2002 Grafische Ausstellung im Theater Madame Bissegger in Ostermundigen 2002 Grafische Ausstellung in der Galerie Wartsaal 3 in Bern 2002 Kunst im öffentlichen Raum, DoReMi; dauerhafte Raum-Installation in Bern, Ecke Kasthoferstrasse/Jolimontstrasse 2003 Grafische Ausstellung in der Galerie Wartsaal 3 2004 Grafische Ausstellung im Wartsaal 3 2006 Jack The Pelican, Brooklyn / 2007 Schweiz 1 - 41, Privatklinik Wyss, Münchenbuchsee, Schweiz
Gruppenausstellungen
2005 Gruppenausstellung in Artforum spontanart in Laupen 2005 Galerie Artdirekt, Gruppenausstellung Teuflische Engel / www.artdirekt.ch 2006 Videoarbeit / Gruppenausstellung Le Passage/ www.spontanart.com 2007 "Recycling is a part of my statement" Koifhus, Colmar, France 2007 Braderie de l'Art, Roubaix, France 2007 PROGR die Weihnachtsausstellung (PROGR Künstler & Friends) 2008 Leise Kurzkonzerte mit Backofenkunst, www.margritrieben.com/leise.html 2008 Simon Messer Colektiv, Maybe they don’t like the human being? lokal-int in Biel 2008 Braderie de l'Art, Roubaix, France 2009 NON-TAKING-PLACE, at lokal-int in Biel 2009 Artposition 2009 Schrankkunst Weltenbilder
Kuratieren von Ausstellungen
2004 Russische Alltagsgrafik von 1950-1980, als Macher und Kurator von 1500 Exponaten im Wartsaal 3 2004 Kunstsupermarkt im Wartsaal 3, 30 KünstlerInnen in Kisten
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english version
Born at 09 01 1965
1972 - 1985 schooltime 1985 - 1990 teacher for fotography at Bern and Biel 1993 - 1996 stone sculptor accademy at Bern, Switzerland 1996 - 1998 sculptoring at my Atelier Since 1998 Grafic Works
Expositions
1998 sculptures at the Gallery Stauffacher, Bern 2001 grafic work at the Gallery Wartsaal 3, Bern / www.wartsaal3.ch 2002 grafic work at the Gallery Wartsaal 3, Bern 2002 grafic work at the Gallery Wartsaal 3, Bern at the theatre “Madame Bissegger”, Ostermundigen, Switzerland 2002 sculpture for public place at Berne, doremi, 12 metres high chair, metal and color 2003 at the Gallery Wartsaal 3 2004 at the Gallery Wartsaal 3, russian daily Graphik works from 1950-1980 2004 grafik work at Gallery Wartsaal 3, Bern 2005 group exposition at the Gallery Artforum in Laupen, Switzerland 2005 group exposition at the gallery Artdirekt, Bern/www.artdirekt.com 2006 grafic work at the gallery jack the pellican, Brooklyn N.Y. 2006 groupexhibition with a shortfilm at le passage, www.spontanart.com 2007 "Recycling is a part of my statement" Koifhus, Colmar, France 2007 Schweiz 1 - 41, Privatklinik Wyss, Münchenbuchsee, Schweiz 2007 " ROT " , Foto Wohlen 2007 Braderie de l'art, Roubaix, France 2007 PROGR die Weihnachtsausstellung (PROGR Künstler & Friends) 2008 Leise Kurzkonzerte mit Backofenkunst, www.margritrieben.com/leise.html 2008 Simon Messer Colectiv, Maybe they don’t like the human being? lokal-int in Biel 2008 Braderie de l'Art, Roubaix, France 2009 NON-TAKING-PLACE, at lokal-int in Biel 2009 Artposition 2009 Schrankkunst Weltenbilder
As a passionate Collagist for me the finishing of pictures with a computer is an ideal work instrument. Creating new worlds means to me joining existing situations together. Everything already there? To a part that is correct. We live in a time of original pirate material.
Masks
Masks are nearly not conceivable without their wearers, who hide straight behind it. Material... the curtain... a veil before the individual, who is joined in the collectivity of the figure. I study how between masks and bearers a synthesis can be received, without the person becoming too much flesh and individual and without the masks are losing their mythological transparency. A connection, in which the separation between human-being and mask remains existing and not, at the same time... Body fragments 2003 In the connection of body gypsum castings, textile and body cutouts as well as painted backgrounds i try to break through linear time settings, the time continuum, which is considered as an illusion. I set individual body cutouts in relation to its generalisation of the cast. Carving the whole one up into individual parts forces the recipient, to search for the whole or the integrity of the represented humans and to create themselves again. Summary The simultaneousness of time and space condensed in created fusions : This technique presupposes a new looking, which permits the dissolution from identities to a new. Procedure Searching and finding objects, photography, Scans, sculpture of gypsum castings, designs, painting, graphic software. Size and Print and Prices are different, just ask for.Inkjetprints with lightproof ink, drawn up on alluminium, frameless, ready to hang them up
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